Written by Axel Eng September 1998 Updated March 2001 (C7 was wrong on the 5W board) - thanks to Syst3m |
Parts Assembly Power supply Antennas Tuning The 5W version Assembly Kits |
Fig 1: Wiring diagram for the 1W Veronica
The TX has a built-in "mini-mixer" which makes it possible to use it without any external mixing table. This consists of the transistor T1, which amplify the mike signal before it gets combined with the CD (or tape) one. R1 and 2 are adjustable resistors (potentiometers) which is used to set the audio level (see the tuning section).
The components between R8 and C21 is the oscillator, the part which generates the radio signal. The diode D1 is a so-called "varicap", which can be seen as an variable capacitor, controlled by the audio signal. That, C12, 13, and the coil L1 decides the frequency. The oscillator is actually two oscillators, operating in antiphase around 50MHz. When the two signals are combined, they make a 100MHz signal. This setup is generally much more stable than one oscillator operating directly at 100MHz. The signal is then amplified up to 1W in T4.
To the far right is a the tuning aid, which rectifies a part of the output and controls the LED D5. The higher output, the brighter is D5.
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Fig 4: PCB layout for the 1W Veronica |
The components should be placed as flat as possible on the board, with short wires. The transmitter should be mounted in a shielded metal enclosure (connected to circuit ground), like these die-cast aluminum "block" enclosures. Use 3mm bolts with 5-10mm spacers, to create a good electrical connection.
The transistor T4 needs a little heatsink to cool it off. This could be made from a 2cm long piece of metal pipe, with slightly smaller diameter than the transistor. Cut a lengthways slot in the pipe, so it can be bent a bit out, and put on. Make some holes in the lid above it, to ensure air circulation. The heatsink is connected directly to the collector of T4, so make sure it doesn't get too close to the lid (app 5mm distance). The mike and CD connections could be done with 3.5mm jack plugs, while the power could be done with a such a plug that's often used with power supplies. For the antenna output I would recommend BNC plugs (like those used with some computer networks). The sockets' ground side should have a good connection to the enclosure, and internal wire should be made as short as possible (especially important with the antenna connection!). It's wise to mount D5 in the lid, so you constantly can see if the transmitter is operating properly.
Fig 5: Component placement
The transmitter is to be powered by 9 to 16 volts DC, with 16V it'll give 1W, 12V gives 600mW, while 9V will give just 200mW. Use a good quality power supply, or else you might risk that the frequency changes or "hum" in the audio.
If you intend to power the transmitter with batteries or a poor supply, you should add an extra voltage stabilizer (shown at the top of fig. 1), instead of D1 (place with backside towards PCB edge). This is of the 78XX type, where XX is it's output voltage (for instance 7815 for 15V). Remember that the input voltage needs to be at least 2.5V higher for the stabilizer to work properly. The capacitor is 10n.
It's important that the antenna and cable has the same impedance, and that this suits the transmitter. If not, you'll get a "mismatch", which means that you transmit with lower power and in worst case can burn out the transistor. This impedance is normally 50 or 75 ohms.
The most common antenna is the dipole, shown in fig. 6A. It could be made with thick wire (or welding rods), which is mounted with BNC plugs. The length of these (in meters) is about 70/f, where f is the operating frequency in MHz. If you're not sure which frequency you're gonna use, make them 70cm (28"). B shows how the BNC plugs should be put together. The upper element should only be connected to the center pin of the plug, while the lower one should be connected to the shield.
For best performance, this antenna should have a "balun" to give both the elements the same impedance to ground. This is easiest done by making 4-5 turns (app. 20cm /8") on the cable. The antenna should be mounted vertically, and the cable should preferably be lead town at least 50cm (20") from the lower element.
Fig 6: Dipole and GP antenna |
In order to make the transmitter operate properly, it needs to be tuned. To this I'll recommend you to make a so-called dummy-load, which makes it easier to distinguish the main signal from weaker ones. This is a resistor of 47 or 68 ohms (corresponding to the antenna you intend to use), which is soldered to an antenna plug. Make sure the resistors can handle the power from the transmitter, and that they're not wire-wound. Don't ever turn on a transmitter without antenna or dummy, or else the output stage might blow.
Set all the trimmer capacitors to middle position (the upper plates cover half the lower ones), connect the dummy to the antenna output and a CD player to the CD input. When you switch on, the LED should light a bit (if not, try adjusting C21) and the transmitter operate around 98MHz. Use a small screwdriver with insulated handle (to not affect the circuit) and tune C21, 25 and 26 for maximum LED brightness. Then adjust C13 carefully up or down (depends on which frequency you intend to use) until the LED dims, but not goes completely out. Then tune the other trimmers until the LED is bright again. Continue this way until you get the frequency where you want it. Check with a radio to ensure that you're only transmitting on a single place in the band, if not you might have to re-tune from the beginning. If you have trouble reaching the ends of the band, L1 must be changed a bit. Carefully squeeze the turns a bit closer together to go down in frequency, increase the spacing to go up. Make sure these six coils are as identical as possible - if they're very different the transmitter may put out an unclean signal.
Now adjust R2 until the CD player sound as loud as the other stations. Be ware that many stations uses "compression" in order to make the sound seem louder than it actually is, and if you set it that loud, you might over-modulate. This might cause noise in neighbor channels, and must be avoided at all times. Similarly you must be careful not to set the mike (or talk) too loud, the best is to have an external mixer with some kinda ALC (automatic level control).
Don't get pissed if it doesn't work at first, transmitters generally requires a bit of fiddling and patience...
Fig 7: The output stage of Veronica 5W. Everything to the left of T4 is identical to the 1W one.
^ The 5W version
The 5W version of the Veronica is pretty similar to the 1W one, but with an extra amplifier stage (T6). As mentioned, the MRF 237 transistor costs around $20, and should be handled accordingly.
^ Parts list
Parts not mentioned are identical to the 1W version.
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Fig 9: PCB for Veronica 5W |
The antenna output is made so that the antenna plug can be mounted right on the PCB. This is not very practical when the transmitter is mounted in the box, but it can be useful during testing.
Fig 10: PCB placement of the Veronica 5W
This transmitter can be powered with 9-16V, 12V is the best (it draws app 900mA). If you have a voltage stabilizer, it should be placed instead of D4 like shown. It needs cooling, and should be bolted to the heatsink.
The Veronica 5W is tuned the same way as the 1W one, but you'll need a larger dummy. If you can't get a resistor that handles 5W (not wire-wound!), you could make it as in fig 10, with three 2W resistors connected in parallel to an antenna plug. For a 50 ohm dummy the values should be 150 ohms, for a 75 ohm one 220 ohms.
If you're unable to make a PCB or can't get all the parts, it's possible to order these transmitters in kit form. You can either order them directly from the manufacturer in England (Veronica Kits) or from US companies like LD Brewer. The 1W one costs £30, while the 5W one costs £60. Be ware that these kits are a bit different from shown here, they don't have the mike amp, nor do they have space for a voltage stabilizer.